Elisabeth Sladen was born on February 1, 1948, in the city of Liverpool, the only child of a family devoid of show-business connections. Despite this, she developed an interest in performing early on and began taking dance lessons at the age of five. This career path reached its zenith when she danced in one production with the Royal Ballet. However, rather than being a prima ballerina, she generally found herself done up in a mouse costume or suchlike. She turned to acting instead.
She finished grammar school, went to drama school for two years, then started work at the Liverpool Playhouse, the oldest repertory company in Britain, as an assistant stage manager. An ASM is the general dogsbody and gofer of the theatrical world with little in the way of performing. Liss first stage appearance was as a dead body, though she ended up being told off for getting the giggles. (A young actor named Brian Miller was playing the doctor and on one occasion whispered "Respiration nil, Aston Villa two" in her ear. She must have forgiven him, because they got married two years later.) Unfortunately for Lis, she was so good as an ASM that she didn't get much in the way of acting roles. She solved this dilemma by the simple expedient of deliberately screwing up on several occasions. This got her told off (again), but at least she started getting more on-stage roles.
She moved into weekly rep after this, traveling around to various locations in England.
Eventually, though, she and Brian, now married, moved to Manchester along with the
former assistant director from Liverpool. They spent three years there, and she appeared in numerous roles, most notably as Desdemona in Othello
her first appearance as a leading lady. She also got the odd part on Leeds radio and
Granada television, eventually appearing as a barmaid in six episodes of the long-running
soap opera Coronation Street.
Lis came in for the usual audition, not suspecting that it was for a new companion and amazed at Letts thoroughness. She was introduced to Jon Pertwee, who completely intimidated her at the time. Barry and Jon chatted with her for a while, and each time she turned to look at one of them, the other one would signal a thumbs-up. She was, of course, offered the role of independent journalist Sarah Jane Smith and accepted it enthusiastically. The rest, as they say, is history. She stayed for 3-1/3 seasons, weathering the transition from Jon Pertwee to Tom Baker, and received both popular and critical acclaim throughout her tenure. When she stepped down in 1976, it made front-page news, where previously only the regeneration of the Doctors had received such attention.
Far from retiring, immediately thereafter Lis returned to her old stomping grounds
in Liverpool along with her husband to do a series of plays. Notable appearances
following that include a two-year stint as a presenter for a childrens' program called
(while wearing a jumper bearing a suspicious resemblance to the notorious Andy Pandy
outfit), a role as a stand-up comics spouse in the six-part Take My Wife
, and, in 1980, her sole motion picture appearance to date, a small part in Silver Dream Racer
as a bank secretary.
The following year brought two Doctor Who connections. First, Barry Letts cast her as the female lead in a BBC Classics production of Gulliver in Lilliput. Second, John Nathan-Turner, now the producer of Doctor Who , asked her to return to the program to ease the transition from Tom Baker to Peter Davison. She declined, but he came back with the counter-offer we now know as K9 and Company , and she accepted, appearing as the star in the only Doctor Who spinoff ever produced.
Two years later, she would return again in "The Five Doctors," as a sort of command performance. She was actively attending conventions in the early 80s, as well as doing ads and appearing (along with her husband, once again) in another Letts production, this one Alice in Wonderland, in which she played the Dormouse.
Throughout this period she showed up regularly at American conventions, including the big Chicago monstercons and, in 1983, six weeks going from city to city by bus along with Jon Pertwee.
In February 1985, though, Lis gave birth to a daughter, Sadie, and since then she has basically been in semi-retirement, putting her family first and her profession a distant second. She does occasional adverts and television appearances, leaving husband Brian to keep the family hand in Doctor Who , as his cries of EXTERMINATE! echo on the program whenever he is recruited to provide voices for the deadly Daleks. Sadie has shown signs of following in the family footsteps, appearing at the tender age of eight in a TV-movie about the wedding of Charles and Diana.
More recently, however, she has become more active. Most notably for Doctor Who
fans, she reprised the role of Sarah Jane twice in 1993, first in the radio production
"The Paradise of Death,"
and then in the EastEnders
crossover television production for charity, "Dimensions in Time." In addition, the
sequel to "Paradise of Death," "The Ghosts of N-Space," is set to air this coming
spring. At Visions '93 (her first US convention since 1985), she expressed an interest
in returning to work and since then has recorded guest appearances in Men of the World
and Peak Practice.
We can all hope that this is the beginning of much more.
Back to the TARDIS.
I am obviously grossly prejudiced here, but I will still say that Elisabeth Sladen is one of the most gracious human beings on the face of the earth. Though I had some time with her at Visions, my most striking memories of her are from a signing in London that she did in 1992.
The signing was for the Doctor Who Magazine Holiday Special that year (to which I contributed). Forbidden Planet, the bookstore sponsoring the event, was good enough to allow me to set up a table for my ESIN club materials, which was very kind of them.
The downside was that I had very little time with Lis. Due to the vagaries of her husband's work schedule, she was doing the signing right in the middle of their summer vacation (or "holiday," as they put it). One of the DWM editors was going to drive her in that morning and then back that evening to their vacation cottage, leaving little time for me to get together with her.
Though that was frustrating, Lis did her best for me while she was there. She carefully posed for any photo I took, then each time asked me if I thought it would turn out okay. Just before opening, she asked if I were ready for the hordes, when no one else bothered to do so. She even offered me a share of a plate of sandwiches someone had brought her after the signing was over. But there was a tiny little gesture at the end that struck me most of all: I had walked over to give her a copy of one of my fanzines, but couldn't get a word in edgewise as someone else was monopolizing her attention. She leaned a bit over toward me and slipped her hand inside my arm, as if to say, "Yes, I know you're there, and I'm very sorry I can't do more about it." It's a moment I cherish.
Back to the TARDIS.
Back to the TARDIS.